There is no evidence to support that Antigone would act in such a manner, were she proven wrong.
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In fact, everyone except the king reinforces her righteousness. Haemon, the chorus, Ismene, the gods, and Tiresias all agree that Antigone has justice on her side, and deserves no punishment.
Thus, she is cleared of having any real character deficiency. She does the right thing, and for the right reasons. Creon, on the other hand, possesses that much-loved classic flaw: hubris, as Sophocles says. Arrogance is often an offshoot of personal insecurity.
As a result, he winds up losing his only remaining son, his wife, and probably the respect of the people he rules. This poor judgment, dictated by ego, was destined to ruin Creon from the outset. Tragedies always end with an ironic reversal of fortunes, leaving the unfortunate exalted and the respected belittled.
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Since the tragic hero starts out with everything, he or she must end up with nothing. By the end of Antigone, Creon has lost his family, his kingdom, and his will to live, but is doomed to live on with the knowledge that he is the sole cause of all his pain. Antigone does in fact lose her life, but she does so with honor. Antigone has gained the good graces of the people and the gods.
The audience does not pity her because she has accomplished the burial of her brother, and she can now rest beside him. They say no woman has ever, so unreasonably, died so shameful a death for a generous act" Scene 3. It is obvious that she had the pity of the entire city except for Creon. Creon, however, is not sympathized with at all except for the chorus, which always agrees with the last point of view presented.
Some readers may be inclined to side with him, but the entire city is opposed to him during the play disqualifying him as the tragic hero. Another issue that has been brought up in the debate is the necessary presence of an epiphany, or revelatory manifestation of to the tragic hero. Creon is supposed to have received his when Tiresias delivers his prophecy, proclaiming that the Gods have decided he was wrong in what he did. But the true epiphany in this play would have been right before Antigone hung herself, when she realized what has become of her life due to her own fatal flaw.
Her impetuous personality and incestuous love drives her to disregard the will of the struggling King Creon and bury her brother. The consequences of her actions cause the demise of not only herself, but Creon's son and her groom to be Haemon, who kills himself once he hears of her death. In closing, upon a close analyses of the play Antigone, the tragic hero would have to be Antigone herself, since she has all the aspects that a tragic hero must have. Having a high social position, not being overly good or bad, being persistent in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them.
Creon does not have perseverance, arousal of pity from characters and audience, and a single flaw which brings about the demise of himself and everyone around him. Although Creon closely resembles what a tragic hero must be, it is clear that Antigone is the tragic hero in Sophocles' Antigone.
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In Sophocles' Antigone, the question of who the tragic hero really is, has been a subject of debate for a great number years. As far as the issue of arising pity in the audience and in other characters, it Our inspirational collection of essays and research papers is available for free to our registered users Related Essays on Cliff Notes History The Internal Journey of Gilgamesh In ancient Mesopotamia there was a human of great powers.
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Sophocles’ Antigone: Protagonist Essay
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